Some two years ago I had my first experience of the Montelago Celtic Festival. I enjoyed it so much that it inspired me to write an article, which - by way of introduction - is reproduced below. Since then I have come to know the organizers (Arte Nomade - www.artenomade.com), and this year I am doing their international press. Over the coming weeks, blog posts will focus on this year's festival and all that it offers, as well as introducing the key players in the event. But before that, let's create a little atmosphere...
Given
where we are - in a deeply traditional part of central Italy - the
Montelago Celtic festival is best described in a single word: unique.
Ringed by peaks of the central Apennines, the high Colfiorito plain on
the Umbrian border comes alive over the course of a weekend in a feast
of colour, sound, and humanity.
"Colour, sound, humanity ...
unique?" I hear you justifiably ask. OK, consider this - there were
enough kilts on display to suggest a McFellini family reunion (although
the black Megadeth T-shirts that offset their tartan pleats were a tad
incongruous). Then there was the all-night concert which ended after
sunrise, a not unheard of phenomenon in these parts ... except for the
fact that The Wild Rover by a band from Lazio named The Shire ended the
musical festivities after a stream of Celtic favourites throughout the
night. (A local marchigiano
band named Mortimer McGrave closed out Friday's lineup.) Tossing the
caber, McEwans Scottish ale, and a Tolkein booth (amongst many other
similar attractions) added a flavour that these hills - and others in
the region - have seldom (if ever) tasted prior to Montelago's first
bash eight years ago.
But away from the stage, and the food,
drink and craft stands, it's the life in tent city that defines the
festival. A broad arc of coloured domes, gazebos, A-frames, and
who-knows-what border one side of the site, with setups ranging from the
sophisticated to the fleeting. Our neighbours, who obviously got there
early, had their site neatly pegged out and cordoned off, military
style, with a covered outdoor area and sheeted entranceway meticulously
pegged down, citronella candles laid out symmetrically to repel the
anticipated coordinated (and symmetrical) mosquito attack. Their shoes
and boots stood neatly in paired obedience outside the sleeping area.
The mosquitoes never came, obviously deterred by such organized defence,
but it was all we could do to stop from mischievously disturbing the
candles' symmetry and fussing the shoe ranks.
In
front of us was an open-sided gazebo with an equally open-ended
invitation for strangers and kin alike to join their festivities, while a
few sites down a couple of night owls had draped their canvas loosely
over a very low horizontal support constructed out of those flexible
tent rods meant for the sides - if any thought had gone into its
construction, it was fleeting, with only one object in mind: haste.
Every now and then a chorus of voices would join forces to herald a
developing primal roar, sweeping around tent city like a wind.
The
majority of regalers seemed to be in their twenties, something of a
surprise I must say - I expected more thirty- and forty-somethings - but
despite their not inconsiderable overindulgence in a diverse menu of
liquid refreshment (with predictable purgative results), there wasn't a
hint of tension, confrontation, or anger. And this to me is what makes
it uniquely Italian (or perhaps central-rural Italian) - the spirit of
friendliness and camaraderie of a group of young revellers out on a
weekend adventure. It's one of the many reasons that makes living here
such a pleasure.
As
for the music, it was pretty good all round, although the featured
group on Saturday - coming on stage at 1:30 am on Sunday morning - was
outstanding. Kila is an acclaimed seven-piece band from Dublin, playing
a range of rousing music with Celtic overtones that was several notches
ahead of their fellow performers. Well worth the trip on its own.
Last year featured Spanish bagpipe virtuoso Hevia, demonstrating the
organizers' continuing efforts to attract world-class headlining acts.
As
we packed up and left at around 8:30 am on Sunday - as part of an
extremely well-organized and civilized exodus - I reflected on why it
took me four years to finally make it to this festival. But one thing's
for sure - it won't be another four before I'm back again.
The
Montelago Celtic festival is typically held on the first weekend in
August. Details of the festival can be found online at www.montelagocelticfestival.it (in Italian).
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